Rosie and Lou's Valentine, I am a beautiful baby boy. I say am because I still have that innocent wide-eyed boy alive within me in spirit. Whatever else my father might have felt about his baby boy, there was no denying he and Rosie had produced one beautiful boy. I beheld beauty as a baby staring up at the eyes of my gorgeous mother. Her dark brown Italian eyes like chocolate, her ebony hair so soft. Those were the eyes I first gazed into as I drank her milk, and that was the hair my tiny fingers curled around and hers were the mother smells I inhaled. Her loving voice first awakened my ears. So in those first few years of my life, my mother gave birth again, to my love of all things beautiful and soft and sensuous. Perhaps my bisexuality began then.
I was the love of my grandmother, Mama Nina. I was her Valentino, the beautiful boy of her beautiful girl. She died when I was 1. Then Mama had a miscarriage when I was 2. I was too young to know about that. Children know so little about their parents' real lives. We think everything begins and ends with us. When Mama was happy, I felt I caused her happiness. So, over the next few years, my gorgeous, vivacious mother began to disappear little by little. It was as if one morning I awoke and she was gone. In her place was someone with sadness in her eyes, someone who I would catch crying when no one was looking. Her face no longer lit up when I pranced into the room. No drawings or songs or hugs could bring her back from the sadness where she'd gone. Without realizing it, I blamed myself. The birth of my first brother when I was 4 seemed to interrupt her descent into--here's a harsh word--ugliness, but I know now it was only an interruption. By the time my second brother was born and I was 7, her beauty was lost to me.I made it my mission to bring it back. I became the houseboy. You see, she worked. Italian grocery store owners who lived behind their stores lived more in their stores than their houses. So "the house" was only the place they slept and spent their Sundays. Every other waking hour was spent in The Store. If there is an early villain in my childhood, it is that store. I tried to burn it down when I was 10, and my fourth brother had been born. By the age of 10, my own descent into ugliness had been complete. The beautiful boy was thin. My thinness was an issue in an Italian family. The story goes they brought me to doctors. "Why won't he eat?" The doctors prescribed vitamins and cod liver oil. Truth was, I ate, but odd things. Like plaster from the walls of the house behind The Store. And Colgate toothpaste on Honey Graham crackers. Yummy! I required suspenders to keep my pants up! So what happened to the thin beautiful boy? I describe it as the program kicking in--the "eat" program. One day, I awoke and became aware that I was overweight; no longer a beautiful boy. I no longer pranced and sang and drew. I hardly spoke. What had become of the beautiful boy's beautiful mother? Enter the fat boy.
Where's Daddy? I rack my brain for memories of him at an early age. I have a few. They bought me a Birmingham Barons toddler-sized uniform at the age of 4 and brought me to Kiddieland. Kiddieland opened the year I was born, and my parents aspired for me to be the King of Kiddleland.
Everyone was so charmed by the beautiful boy in the baseball uniform that I got to ride everything I wanted for free! Daddy was proud of that and told that story over and over. Yes, he wanted me to be a ball player. At 6 he gave me a catcher's mitt and drove me out to some hellhole called a ball field. I had absolutely no interest in the mitt and was terrified that the pitcher's balls were going to strike me. The bat felt so awkward in my hand I struck out during the trials. And my pitching--well, there's not a word to describe that. I think that was the end of Daddy's pride in his Valentine. And he started spending baseball time with my two younger brothers, who did indeed go nuts for America's pastime.
Gee, Dad. Could you have ever guessed I'd end up yearning to be a catcher for some big-dicked pitcher whose bat I swing while polishing his balls with my tongue?
I wasn't Dadless. He was a large manly presence in our lives, volatile, explosive, prone to beating us and, as it turned out, hitting my mother. My brothers do not have these memories or perhaps more likely, they choose not to remember them. But I remember Mama. She loved that Irene Dunne movie, and I Remember Mama was one of the first books I read. She loved Miracle on 34th Street--from the book by Valentine Davies. She taught me a man could be a Valentine. My Dad taught me a man could be a prick. Children have no idea what yearnings and disappointments of adults are until they grow to have their own. I saw only the man who berated her, ignored her, forgot to buy her presents for her birthday. I remember one Christmas and Mama crying because Daddy hadn't gotten her anything. He went into the store and pulled down an electric can opener customers could exchange Gold Dollar coupons for and gave it to her. I thought that was worse than no gift at all. After that Christmas, I began asking for money for chores so I could save up to buy her presents. And so I did. I never forgot a holiday with her.
Impressionist painters learn to create their pictures with dots of colors placed so closely together they don't resemble their original color but something else. You cannot isolate the single color and say that's the painting. It's the juxtaposition of the spots of color that make up that painting. So it is with a life, at least my life.So here's a splash of color for Daddy, in case he appears to dark to my readers. He loved to read to me and tell me stories. My brothers and I would pile into his bed on Sunday morning and bring him the comics. He'd read the ones we liked (and some we didn't) and do every voice different. We loved those Sunday mornings in bed with Daddy. It was all innocent. Except he liked to tease me by trapping me underneath the blankets. I suppose his hostility towards me came out even then. Maybe that's the wrong splash of color.
Story time. Question time. Question time about the story. That's how supper in our house began. When it was me and my next oldest brother, I would always start and end the round. When there were three of us, we'd rotate. Story time was my favorite time. He'd tell the famous fairy tales and stories from the novels he'd read and loved. We heard about Jean Valjean and Sydney Carton, David Copperfield. He narrated the dog fight from Call of the Wild fiercely. From him, I learned to read with animation. So, Dick, Jane, Sally, Puff, and Spot came alive when I had to read out loud in the second grade. (Years later, when Dad asked why I became an English lit grad student, he seemed puzzled when I said he had inspired me with these stories.)
The other credit I will give my father is my love of films came from him. I'll share one vivid memory--my first drive-in movie experience. He closed The Store early and announced we were going to the Fair Park Drive-In. So we all piled into our new two-tone Buick and arrived right at dusk. My brother and I were taken to the park area in front of this gigantic screen. The park was lit by the screen. We thought we had died and gone to kid heaven. There was swing, a sand box, and a jungle jim. We were having great fun in the sand box when all of a sudden the lights around the giant screen went off. My eyes went to the screen.
Magic happens in odd places. The lights go down. The speakers start to sputter. And up on that giant screen, golden dots begin to bounce around, sort of the like the image on the T.V. when there was no picture, but golden dancing dots. Then images burst onto the screen advertising movies in cinemascope. And finally, the feature film. As my destiny would have it, my first drive-in movie, big screen, magic in the dark movie was The Wizard of Oz. I was transfixed and transformed. There was no a dream world where I could escape. I had only to close my eyes and I would be there in the magical world of the movies. So each night, as I lay down to sleep and prayed the lord my soul would keep if I should die before I waked, I would drift into my dream pattern--that anticipatory moment when the lights go down, just before the film begins, when the projector is beginning to whirl, and anything is possible.





